Sexy yetis, scientists and neon colours collide in Better Humans: a kaleidoscopic romp through the possibilities of gene editing and body augmentation.
As part of a 7-part series commissioned by Massive Science on the lasting impact of Mary Shelley’s Frankenstein.
Taking inspiration from 80’s Japanese monster vinyl toys, Moth mixed monsters, optimism, and scientific facts to create a look into the neon future.
Moth wanted the film to look loose and fun so we started experimenting with using bright coloured markers on plastic cels. Moth fell in love with the texture and the look that they gave them, Moth decided to embrace the technique and design the whole film on physical cels. These were then scanned and used as their backgrounds to their digital 2D animation, enhancing the film with imperfections that gave it a special charm and unique result.
Moth is a multi-award winning animation studio formed by Daniel Chester, Dave Prosser and Marie-Margaux Tsakiri-Scanatovits.
Since collectively graduating from the Royal College of Art, they have quickly become renowned for their perceptive, emotive storytelling. Whether it’s examining the looming threat of artificial intelligence, the effects of rainforest deforestation or the plight of refugees, their colorful, hand-drawn animation style and narrative cadence possess a maturity that belies their youth.
Their projects have been screened and awarded in festivals worldwide, including a BAFTA nomination for ‘Matter Fisher’ in 2011, a British Animation award for ‘HIAS: For the Refugee’ in 2016, a D&AD Graphite pencil and Annecy Crystal Award for their New York Times piece ‘Modern Love: A Kiss, Deferred’ in 2016, as well as an ADC Young Gun Award and a YCN Professional Award for their greater portfolio of work.